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Dimwit’s Delight (2005) for saxophone quartet, 7' |
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Dimwit’s Delight is an impish
piece of the sort of dopey humor one associates with dimwits, dunderpates,
and dingbats alike. In its use of typical saxophone “extended
techniques” and stereotypical frenetic gestures, it is extravagantly
clichéd. Each change of character displays another side of the dear
dimwit’s nature. Even he has his witty moments, as well as his grooving,
sneaky, ugly, and brazen ones. Formally, the piece is in three main
sections. In the first, a stuttering set of rhythms gradually gives way to a
driving groove, supported by a structure of isolated interval groupings.
Throughout the section, more and more textural, rhythmic, and harmonic
gestures accumulate, creating two successive climaxes—one little and
one big. The second section displays a deliberate ugliness, an inharmonicity
achieved through growls, glissandi, altissimo pitches, and quarter tone
tunings. After this section sputters out, the third rebuilds a structure
reminiscent of that of the opening, piling on new sets of interval groupings
and new rhythmic and textural gestures until the piece collapses under its
own weight. |
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